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The Shining is the third studio album by Americanhip hop recording artistJ Dilla, who died February 10, 2006. The Shining was incomplete at the time of J Dilla's passing and was posthumously completed. Discounting the instrumental album Donuts, The Shining was the first full-length solo release by J Dilla (featuring newly recorded vocals) since Welcome 2 Detroit five years earlier, and as such was highly anticipated. It was released on August 22, 2006 through BBE Records. An instrumental version of the album followed its release shortly afterward.


In the works for many years under working titles such as the rumored Welcome 2 LA, Dilla's manager, Tim Maynor, said in November 2005 that The Shining would come out in February 2006 on BBE and that the Dilla self-titled album would follow in the same year.[12] As the album was ultimately only 75% complete at the time of J Dilla's passing, his friend and fellow Detroit hip-hop artist Karriem Riggins was entrusted by Dilla's mother for the completion and handling of the record. Riggins himself has indicated that there will be further future releases of Dilla's music in the coming years, stating that "all of his music needs to be heard".[13]

A few of the tracks on The Shining are vocal versions of previously heard material such as "So Far to Go" (Donuts track "Bye" revamped and extended to serve as an intended remix to Common's "Go!"). This song was originally to be released by Common during the last quarter of 2005, as part of a Be special edition package. In 2007, an alternate version of "So Far to Go" containing new verses and a new mix was released on Common's Finding Forever album.

Dilla features some of his past collaborators, such as the aforementioned Common on two songs, Busta Rhymes, D'Angelo, Madlib, and Black Thought on the LP. The closing track, "Won't Do", is the only song to feature Dilla rhyming by himself. He does however also rhyme on "Baby" together with Madlib and Guilty Simpson and provide the chorus for "E=Mc2". "Won't Do" was also issued as a single (as The Shining EP2), accompanied by a video that premiered on December 12, 2006. The video included appearances by Common, Slum Village, will.i.am, Frank-N-Dank, Karriem Riggins, Black Thought, Talib Kweli, and J Dilla's younger brother, John Yancey (aka Illa J).

A promo single called "Love", featuring Pharoahe Monch, was leaked onto the internet in February 2006, days after J.Dilla's death. Plans for the album's retail release was accelerated and scheduled for April 2006. Video Producer/Director Brian "B.Kyle" Atkins of Okayplayer Films [14] was in the process of putting together a production consisting of exclusive footage he had shot with J.Dilla... a project which the label heard about and wanted as a bonus DVD to accompany each retail copy of the album. Eventually, however, it was decided to release the two separately. In honor of J.Dilla, Brian "B.Kyle" Atkins created the production entitled J.Dilla: Still Shining, which was made available to J.Dilla fans online, for free, at www.TheJDillaProject.com and YouTube. The album received generally positive reviews and debuted at #103 in its first week of release according to Billboard. An instrumental version of the album soon followed.

The advance copy of the album contains samples from The Shining over the tracks to prevent sharing. These samples are not in the retail version but the advance copy is available on the internet, leading many to believe that the samples are part of the album.

Influence and legacy[edit]

J Dilla was well known for being experimental, which influenced contemporary musicians who grew up listening to his music. Because he usually chose to enter beats manually on a drum machine rather than quantizing, he developed a behind the beat style that has caught on with young jazz musicians who are now incorporating it into their music as well.[15] J Dilla was also among the first main stream artists to experiment with tonality in such a liberal way, which is now becoming more apparent in modern electronic music and even pop music.

At the time of its release, "The Shining" was widely considered J DIlla's last opus as it showcased his broad set of talents, showcasing his ability to create distinct beats that would complement each performer that he worked with. The album showed off the growth that he made before his passing by seamlessly showcasing his great experimental nature in different ways throughout this album.[16]


At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, The Shining received an average score of 80% based on 21 reviews, indicating "generally favorable reviews".[1]

It ranked at number 35 on Spin's "40 Best Albums of 2006" list.[17]

Track listing[edit]

Unless otherwise indicated, Information is based on Liner notes[18]

1."Geek Down" (featuring Busta Rhymes)James "J Dilla" Yancey, Busta RhymesJ Dilla1:53
2."E=MC²" (featuring Common)James Yancey, Lonnie R. LynnJ Dilla3:17
3."Love Jones"James YanceyJ Dilla1:01
4."Love" (featuring Pharoahe Monch)James Yancey, Pharoahe MonchJ Dilla3:14
5."Baby" (featuring Madlib and Guilty Simpson)James Yancey, Guilty SimpsonJ Dilla, Madlib3:28
6."So Far to Go" (featuring Common and D'Angelo)James Yancey, Lonnie R. Lynn, Michael "D'Angelo" Archer, Ronald Isley, Rudolph Isley, O'Kelly Isley Jr., Marvin Isley, Ernie Isley, Chris JasperJ Dilla5:36
7."Jungle Love" (featuring MED and Guilty Simpson)James Yancey, Guilty Simpson, MEDJ Dilla2:44
8."Over the Breaks"James YanceyJ Dilla, Karriem Riggins2:14
9."Body Movin'" (featuring J. Rocc and Karriem Riggins)James Yancey, Karriem Riggins, J. RoccJ Dilla, Karriem Riggins, J. Rocc2:17
10."Dime Piece (Remix)" (featuring Dwele)James Yancey, Andwele “Dwele” GardnerJ Dilla3:15
11."Love Movin'" (featuring Black Thought)James Yancey, Tariq “Black Thought” TrotterJ Dilla3:34
12."Won't Do"James YanceyJ Dilla3:52


  • J Dilla - vocals (rap on 2, 5, 12, sung by on 12), tambourine (7), Rhodes electric piano (3), Nord Lead synthesizer (3), Octave Cat synthesizer (7, 9), Micro Korg synthesizer (8), guitar (11), bass played by (11), audio mixing (10)
  • Black Thought - rap vocals (11)
  • Busta Rhymes - rap vocals (1)
  • Common - rap vocals (6, additional on 2)
  • Dave Cooley - audio mixing (2-7, 9, 12), recording engineer (5)
  • D'Angelo - vocals (sung by) (6)
  • Dwele - vocals (10)
  • Kelly Hibbert - recording engineer (9, 12)
  • Mela "L.A." Machinko - additional background vocals (4)
  • Madlib - additional rap vocals (5)
  • M.E.D. - rap vocals (7)
  • Pharoahe Monch - lead vocals (4)
  • Bob Power - audio mixing (1, 11)
  • Karriem Riggins - drums (3, 9, 11), Triton synthesizer (8), Korg synth (9), bass programming
  • J. Rocc - DJ scratches (2, 9)
  • Shotyme - additional background vocals (4)
  • Guilty Simpson - rap vocals (7, additional on 5)
  • Dontae Winslow - trumpet (3)

Sample Credits[edit]



External links[edit]

  1. ^ ab"The Shining by J Dilla aka Jay Dee". Metacritic. CBS Interactive. Retrieved December 12, 2015. 
  2. ^Kellman, Andy. "J Dilla - The Shining". AllMusic. Retrieved December 12, 2015. 
  3. ^Rabin, Nathan (September 19, 2006). "J Dilla: The Shining". The A.V. Club. Retrieved December 12, 2015. 
  4. ^Ketchum, William (August 24, 2006). "J Dilla - The Shining". HipHopDX. Retrieved December 12, 2015. 
  5. ^Perlich, Tim (August 17, 2006). "J Dilla". Now. Retrieved December 12, 2015. 
  6. ^Howe, Brian (August 23, 2006). "J Dilla: The Shining". Pitchfork Media. Retrieved December 12, 2015. 
  7. ^Frauenhofer, Michael (August 25, 2006). "Dilla: The Shining". PopMatters. Retrieved December 12, 2015. 
  8. ^Serpick, Evan (August 10, 2006). "J Dilla: The Shining". Rolling Stone. Archived from the original on February 11, 2009. Retrieved December 12, 2015. 
  9. ^Macdonald, Cameron (August 22, 2006). "J Dilla - The Shining". Stylus Magazine. Retrieved December 12, 2015. 
  10. ^Ranta, Alan. "J Dilla - The Shining". Tiny Mix Tapes. Retrieved December 12, 2015. 
  11. ^Dukes, Will (August 2, 2006). "J Dilla: The Shining". XXL. Archived from the original on August 28, 2006. Retrieved December 12, 2015. 
  12. ^Dilla's manager speaks on upcoming albums, November 26, 2005
  13. ^The article requested can not be found! Please refresh your browser or go back. (C4,20080208,,80208013,AR)
  14. ^J Dilla's Shining ready to go
  15. ^http://www.npr.org/sections/ablogsupreme/2013/02/07/171349007/why-j-dilla-may-be-jazzs-latest-great-innovator
  16. ^https://www.sputnikmusic.com/review/9712/J-Dilla-The-Shining/
  17. ^"J Dilla, The Shining (BBE)". Spin. November 24, 2014. Retrieved December 12, 2015. 
  18. ^J Dilla. “The Shining”. BBE Records. 2006.
  19. ^Associated Press Staff. “J Dilla’s Turn In Spotlight...”. Today: Pop Culture. 30 August 2006. https://www.today.com/popculture/j-dilla-s-turn-spotlight-comes-after-his-death-wbna14587861
  20. ^DJ Asma. “The Classical Side of Dilla”. Music Is My Sanctuary. 25 February 2016. http://www.musicismysanctuary.com/dilla-classical-samples
  21. ^ abcdBarber, Andrew. “The 50 Best J Dilla Songs”. Complex. 7 February 2012. http://www.complex.com/music/2012/02/the-50-best-dilla-songs/
  22. ^ abcdDOK. “J Sampleecious”. Rappamelo. 7 February 2016. http://rappamelo.com/2013/07/j-sampleecious/
  23. ^DJ Nightkrawler. “Song of the Day...”. DJ D-MAC & Associates. 13 March 2012. http://www.djdmac.com/blog/song-of-the-day-placebo-humpty-dumpty/
  24. ^Howe, Brian. “J Dilla - The Shining”. Pitchfork. 23 August 2006. https://pitchfork.com/reviews/albums/9335-the-shining/
  25. ^Frauenhofer, Michael. “J Dilla: The Shining”. Pop Matters. 25 August 2006. https://www.popmatters.com/j-dilla-the-shining-2495694634.html
  26. ^J Dilla, et. al. “Body Movin’”. Lyrics 007. 22 August 2006. https://www.lyrics007.com/lyrics/j-dilla-feat-j-rocc-karriem-riggins-body-movin/TWpjNU9EWTJOdz09
  27. ^“Happy Birthday, Dick Hyman”. Moog Music. 8 March 2017. https://www.moogmusic.com/news/happy-birthday-dick-hyman-0
  28. ^Yungun (aka Essa) and Tommy Evans. “Silent Mobius”. Soundcloud. 2002. https://m.soundcloud.com/djharrylove/silentmobius
  29. ^J Dilla - The Shining, billboard.com.
The Diary
Studio album by J Dilla
ReleasedApril 15, 2016
RecordedSeptember 16, 2001–April 2, 2002
The Spaceship
(Clinton Township, Michigan)
Studio A
(Dearborn Heights, Michigan)[1]
GenreHip hop
41:52 (iTunes)
J Dilla chronology
Singles from The Diary
  1. "Fuck the Police"
    Released: September 18, 2001
  2. "The Anthem"
    Released: April 15, 2013
  3. "Diamonds"
    Released: August 27, 2013
  4. "Give Them What They Want"
    Released: May 6, 2014
  5. "The Introduction"
    Released: February 18, 2016
  6. "Gangsta Boogie"
    Released: April 2, 2016
  7. "The Sickness"
    Released: April 27, 2016

The Diary is the posthumous sixth studio album by Americanhip hop recording artistJ Dilla. The album was originally intended for release in 2002 via MCA Records under the title Pay Jay.[13][14] This long-lost album is the final batch of unissued material that J Dilla had assembled for release during his lifetime.[13] It also represents his first rap album released since Ruff Draft (2003) and Champion Sound (2003).[15] Unlike previous full-length releases – from Jay Stay Paid (2009) to Dillatronic (2015) – all edited with unreleased instrumentals, The Diary is a collection of Dilla's vocal performances over his production and that of other producers, such as Madlib, Pete Rock, Nottz, Hi-Tek and Karriem Riggins among others.[16] The album also features vocal performances by Snoop Dogg, Bilal, Kokane, Frank n Dank, Nottz, Boogie and Kenny Wray.[17] Recording sessions for the album took place from September 16, 2001 to April 2, 2002 at The Spaceship in Clinton Township and Studio A in Detroit, and it was mastered by Dave Cooley at Elysian Masters in Los Angeles.[1]

The Diary was released on April 15, 2016 through Pay Jay Productions, Inc. in conjunction with Nas' record label, Mass Appeal Records. The album was supported by the singles "The Anthem", "Diamonds", "Give Them What They Want", "The Introduction", "Gangsta Boogie", and "The Sickness", and also includes the 2001 underground classic "Fuck the Police".


Pay Jay, as it was known, is a vocal album James Dewitt "J Dilla" Yancey completed over eight months in the early 2000s, following the release of his first solo album, Welcome 2 Detroit, in 2001.[14][18][19][20] Yancey was signed to a two-album solo deal with MCA Records in 2002.[21] This album, which was to be his mainstream debut, was his attempt to take advantage of the attention he gathered after his brightest period as a behind-the-scenes hitmaker and influencer.[13][22] Although he was known as a producer rather than an emcee, he chose to rap on the album and have the music produced by some of his favorite producers such as Madlib, Pete Rock, Hi-Tek, Supa Dave West, Kanye West, Nottz, Waajeed and others.[23][24] However, the project stalled and the album was shelved as it was not what MCA had anticipated when it signed Yancey, leading to him being dropped and recording Ruff Draft out of frustration with the major label system.[21][25] The album was kept in his storage unit in Detroit while he transitioned into living and creating in Los Angeles, before passing with lupus and an incurable blood disease in 2006.[25][26][27][28] The album also suffered as select songs were leaked online and bootlegged on vinyl in April 2008.[18][22][25]

On February 11, 2013, it was reported that the album, retitled as The Diary, would be released via Yancey's own Pay Jay Productions imprint, a company he founded in 2001 to house his production company and his publishing company, which The Estate of James Yancey has revived as a functioning imprint.[29] The album's completion was overseen by the estate's Creative Director Eothen "Egon" Alapatt, former general manager of Stones Throw Records and A&R for Champion Sound and Donuts, who previously oversaw the remastering of Ruff Draft in 2007.[17][30] In February 2016, Alapatt disclosed to Rolling Stone that The Diary was "the last record that [Yancey] actually wanted out."[31]

The album was tentatively scheduled for release in spring 2013 and was pushed back for another year.[16][32][33] However, no update regarding its release date was provided for two years.[34] Pending the release of the posthumous album, eight tracks have surfaced as singles. Alapatt explained the lengthy delay. "Just unpacking the files, finding the software that [Dilla] used, getting it again, because at that point it was already archaic, unpacking the files so that we can actually look at them, took years," he said. "Literally years. Bear in mind, we were able to get some low-hanging fruit earlier than we were able to get others, that's how the Ruff Draft record with the instrumentals and unreleased tracks were able to come out. That was easy to find. It was really well labeled. The record had already come out, so we had a reference point, you know what I'm saying? It was quite simple. This record was a pain in the fucking ass."[31]

Release and promotion[edit]

On February 18, 2016, New York City rapper Nas announced on Zane Lowe's Beats 1 radio program that the much-delayed album is expected to be released on April 15, 2016 via his own label Mass Appeal in collaboration with Yancey's imprint. He also unearthed an unheard-track entitled "The Introduction". On the same date, the album was made available for pre-order exclusively on iTunes where its cover art and track listing were unveiled.[35][36][37]

On February 25, 2016, it was announced that the album would be released on vinyl as a Record Store Day exclusive on April 16, 2016.[38][39] The LP set was to contain a 16-page booklet with an introduction by Eothen Alapatt and liner notes by Ronnie Reese detailing the story of the album. Ronnie Reese previously wrote the liner notes for J Dilla's Ruff Draft. On the same date, the production credits were revealed.[38]

On March 17, 2016, Nas previewed a previously unheard collaboration with J Dilla during his headlining set at Mass Appeal's Live at the BBQ showcase at SXSW in Austin, Texas.[40][41][42] Titled "The Sickness", the Madlib-produced track is a recording that originated in 2001 and was completed in 2015 with an additional verse from Nas.[43] According to a press release, the track will not be included on The Diary, but will come as an iTunes exclusive bonus track with pre-orders of the album for its April 15th release.[44][45] Two days prior to the release, "The Sickness" was made available to stream on SoundCloud by Mass Appeal.[46]

In anticipation of the album's release, Mass Appeal has filmed a series of short videos featuring some of the artists who appear on the project.[47]


"Fuck the Police" was released on 12-inch vinyl on September 18, 2001.[48] The track is built upon a sample of René Costy & His Orchestra's 1972 track "Scrabble", from which the drum break and violin sample are taken from.[48] "Fuck the Police" was originally recorded for The Diary.[48] However, it was turned down by MCA Records, who was perhaps concerned as the song was released just a week after the September 11 attacks.[49] The label seemingly did not want to receive any ominous, unsolicited letters from the FBI.[48] Thus, Dilla instead brought the song to California-based indie imprint Up Above Records, who would release it.[48] Out of print for over a decade, "Fuck the Police" was remastered and reissued by Pay Jay Productions exclusively for Record Store Day 2015 (April 18). The song, using original mixes, was released on a badge-shaped 9-inch picture disc single designed by Stones Throw Records' Jeff Jank.[29][50] Both the vocal and instrumental are sourced directly from mix-downs that J Dilla himself created.[51][52]

On February 11, 2013, "The Anthem", featuring Detroitrap duo Frank n Dank, was made available to stream on Rappcats' SoundCloud.[53] It was made purchasable at Rappcats.com on 12-inch vinyl on April 15, 2013, packaged with B-side "Trucks" – Dilla's take on Gary Numan's new wave classic, "Cars" – which was previously leaked as an unmixed, unmastered MP3.[16][21][54][55] Both tracks were produced, and feature complete vocal performances, by J Dilla.[16] According to a press release, multi-track masters of the tracks were found on 2-inch tape shortly after Dilla's passing in 2006.[56] They were finished by engineer Dave Cooley, who worked extensively with Dilla during his years in Los Angeles.[29] While preserving all of the elements from the original demos, Cooley attempted to finalize Dilla's vision for these tracks, using the late musician's original demo mixes as his guide. The 12-inch features Dilla's original mix of "Trucks", which includes an extra verse and alternate vocals.[29][56] "The Anthem", which interpolated R. Kelly's "Fiesta" on the chorus, was initially recorded on an aggressive beat composed by Kanye West, who was unaware that Dilla had used the beat which he originally made for Jay-Z.[24][25][57] That version, entitled "We F'd Up", was revealed through the Pay Jay leak.[25][58][59] In 2008, Kanye West disclosed, on his now defunct blog, that he had "[n]ever heard this song till now". "I made this beat in 2001, of course right after 'Takeover'," he wrote. "[W]e were [having] problems clearing the Doorssample so I made this version originally [for] Big Bro Hov."[24][60][61] In the end however, Dilla produced the song himself as "The Anthem" which is the entire opposite of the leaked version.[25]

On August 2, 2013, another track from The Diary entitled "Diamonds", was published on SoundCloud by Rappcats.[62] It serves as the second single and was released on August 27, 2013 with B-side "Ice" in the form of a 7-track 12-inch EP called Diamonds & Ice.[63] Recorded and mixed by Dilla between February and April 2002, the EP includes two tracks that are perhaps two of the best known pieces from the album – the first one was leaked years ago in a low quality unmastered format, and the other was released as a Jaylib-era short-lived promotional single.[64] Long before the release of his posthumous album, The Shining (2006), J Dilla titled these two tracks "The Shining Pt. 1", and "The Shining Pt. 2". "Diamonds (The Shining Pt. 1)" was produced by Nottz, while "Ice (The Shining Pt. 2)" was produced by Madlib, who Dilla would later collaborate with under the group name Jaylib.[65] The Diamonds & Ice EP features both final and alternate mixes of each tracks along with the instrumental and two markedly different versions of "Ice", with one showing the musical direction Dilla would embark on after The Diary was shelved in 2002. Completing this EP is a Madlib instrumental that J Dilla secured for the album but never turned into the final song, entitled "The D".[64][66]

On May 20, 2014, Pay Jay Productions released one last EP titled Give Them What They Want on a 12-inch clear vinyl.[67][68] It is a five-track EP featuring three vocal tracks recorded and mixed by Dilla between September and December 2001, as well as two instrumentals.[69] The first two vocal tracks on this record are built around the same lyrics – the title track produced by Dilla and "The Doe" produced by Supa Dave West.[70] The last vocal track "So Far", also produced by West, is familiar to some fans of MP3 bootlegs. On this record, it is mastered for the first time by Dave Cooley.[71] On April 16, 2014, the titular lead "Give Them What They Want" was made available to stream via Rappcats' SoundCloud page.[72]

The album opener, "The Introduction", was broadcast on Zane Lowe's radio show on February 18, 2016.[73] On the same date, the House Shoes produced-song was published on SoundCloud by Mass Appeal and was made purchasable on iTunes.[74][75] A day after its release, Eric Torres of Pitchfork gave the song a "Best New Track" designation, writing that "Though it's his idiosyncratic production that earned him his legacy, Dilla was a clear force behind the mic, too."[76]

Before The Diary was unearthed in full, a previously unreleased track titled "Gangsta Boogie" was premiered on Dr. Dre's Beats 1 radio show The Pharmacy on April 2, 2016.[77] The same night, it was published on Mass Appeal's SoundCloud and was made purchasable on iTunes.[78][79] Produced by Hi-Tek, the track features Kokane and Snoop Dogg, whose vocals were recorded after Dilla had passed during the making of the album.[80][81][82] In a February 2012 interview with Complex, Stones Throw Records founder Peanut Butter Wolf first spoke about the then unfinished piece on which J Dilla gave a shout out to Snoop Dogg.[83] He revealed that Dilla intended to have the rap veteran on the track, but the collaboration had not come to fruition before the former's passing.[83][84] During a brief sit-down with Mass Appeal in 2016, Snoop Dogg disclosed that he "never had a chance to work with him personally." "He was making hot music around the same time I was making hot music, and I was just hearing about him and wanted to get with him," he continued. "[W]hen he passed away I reached out to his people, and wanted them to know that I definitely wanted to work with him."[84]

The last single, the bonus track "The Sickness", featuring Nas, was released on April 27, 2016. A music video for the song was released the same day.[85] It was the album's only single with a music video.

Track listing[edit]

1."The Introduction"
  • House Shoes
  • J Dilla (add.)
2."The Anthem" (featuring Frank n Dank)
  • J. Yancey
  • D. Harvey
  • F. Bush
J Dilla2:47
3."Fight Club" (featuring Nottz and Boogie)Waajeed2:24
4."The Shining, Pt. 1 (Diamonds)" (featuring Kenny Wray)
  • J. Yancey
  • D. Lamb
  • J. Seals
  • D. Crofts
5."The Shining, Pt. 2 (Ice)"Madlib1:09
6."Trucks"J Dilla3:41
7."Gangsta Boogie" (featuring Snoop Dogg and Kokane)Hi-Tek3:18
8."Drive Me Wild"Karriem Riggins2:23
9."Give Them What They Want"J Dilla2:28
10."The Creep (The O)"Hi-Tek2:50
11."The Ex" (featuring Bilal)Pete Rock3:32
12."So Far"Supa Dave West2:17
13."Fuck the Police"
  • J. Yancey
  • R. Costy
  • A. Decock
J Dilla2:34
14."The Diary"Bink!1:27
Total length:36:59
15."The Sickness" (featuring Nas)Madlib2:38
16."The Doe"Supa Dave West2:15
Total length:41:52
1."The Ex (Album Version)" (featuring Bilal)Pete Rock3:32
2."The Ex (R&B Version)" (featuring Bilal)Pete Rock3:32
Total length:44:03
Sample credits[1]
  • "The Shining Pt. 1 (Diamonds)" contains a sample of "Diamond Girl" performed by Seals and Crofts.
  • "Trucks" is an interpolation of "Cars" performed by Gary Numan.
  • "Fuck the Police" contains a sample of "Scrabble" performed by René Costy & His Orchestra.



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