Bigsby, C. W. E. “Arthur Miller.” Williams, Miller, Albee. Vol. 2 in A Critical Introduction to Twentieth-Century American Drama. Cambridge, England: Cambridge University Press, 1984.
Bonnet, Jean-Marie. “Society Versus the Individual in Arthur Miller’s The Crucible.” English Studies 63, no. 1 (February, 1982): 32-36. Solid analysis of the central themes. Contends that The Crucible explores the balance between social responsibility and individual freedom.
Budick, E. Miller. “History and Other Spectres in Arthur Miller’s The Crucible,” in Modern Drama. XXVIII (December, 1985), pp. 535-552.
Ferres, John H. “Still in the Present Tense: The Crucible Today,” in University College Quarterly. XVII (May, 1972), pp. 8-18.
Foulkes, A.P. Literature and Propaganda, 1983.
McGill, William J. “The Crucible of History: Arthur Miller’s John Proctor,” in New England Quarterly. LIV (June, 1981), pp. 258-264.
Martin, Robert A. “Arthur Miller’s The Crucible: Background and Sources.” Modern Drama 20, no. 3 (September, 1977): 279-292. Contends that the play transcends the topical parallel of the House Committee on Un-American Activities and stands on its own merits.
Martine, James J. The Crucible: Politics, Property, and Pretense. New York: Twayne, 1993.
Meserve, Walter J. “The Crucible: ’This Fool and I,’” in Arthur Miller: New Perspectives, 1982.
Miller, Arthur. Conversations with Arthur Miller. Edited by Matthew C. Roudane. Jackson: University Press of Mississippi, 1987. Miller discusses his work with various interviewers. Two useful discussions of The Crucible.
Miller, Arthur. Timebends: A Life. New York: Grove Press, 1987.
Morgan, Edmund S. “Arthur Miller’s The Crucible and the Salem Witch Trials: A Historian’s View,” in The Golden and the Brazen World: Papers in Literature and History, 1600-1800, 1985.
Nathan, George Jean. “Henrik Miller,” in Theatre Arts. XXXVII (April, 1953), pp. 24-26.
O’Neal, Michael J. “History, Myth, and Name Magic in Arthur Miller’s The Crucible,” in Clio. XII (Winter, 1983), pp. 111-122.
Popkin, Henry. “Arthur Miller’s The Crucible,” in College English. XXVI (November, 1964), pp. 139-146.
Warshow, Robert. “The Liberal Conscience in the Crucible.” In The Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture. New York: Doubleday, 1962. Warshow considers the work a wooden political polemic, historically inaccurate, without a central point.
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